Fascinating bit of synchronicity here. I am subscribed to the Phonar “open university” of photography, and today’s lecturer covers this issue from an entirely different angle: the remix. http://phonar.covmedia.co.uk/2012/10/mark-mcguire-technologies-and-transformational-experiences/
I can easily argue both sides of this issue. I’m a graduate of RIT in Commercial Photography, I made my living as an advertising photographer for many years, and still do photography for art and pleasure. I’m also no stranger to tilting at windmills, which is what I consider this technical challenge to be. Once photos become bits, they lose some of the natural protection that their original technological base conferred to them. No longer being physical objects, which are reasonably hard to copy well without permission, they move into a new world of multiple instances, like a blob of mercury that you’ve stepped on. Good luck finding all the pieces.
In my opinion, the only way to avoid illegal copying of your work is to not publish it. And that does nobody (including you) any good.
Walter
On Oct 24, 2012, at 7:16 AM, grantsymon wrote:
Speaking as a photographer that earns his living from copyright, I find it depressing that the general attitude seems to be, that it’s impossible to protect copyright, so just give up and allow free use.
It is not impossible to protect copyright, as is being proven by the film and music industries. Making it hard enough to steal, so that only really deliberate thieves will do so, then actively prosecuting those thieves, will eventually bring into public consciousness the fact that someone actually owns the work they are taking.
Think of being in a sweetie shop (candy store) and the owner isn’t there. Just helping yourself to everything you want is not right and we all know that. Copyrighted work on the internet is no different.
I believe that the answer lies with Apple and Microsoft. It would not be very hard for them to implement, at a low-level in the OS, a system to read metadata from jpeg/png/etc. files and disable screen grab for copyrighted work, perhaps popping up a dialog to display the copyright info. This would stop 99.9% of theft.
As for not being able to do anything with a screen-grab, because it’s too small; A full-screen image on a 2560x1440 is good enough for a half page magazine @ 300dpi. Most 4 colour is printed at 150dpi, so you’d get full-page. Thieves probably aren’t overly concerned about best quality, so would happily go to double-page after interpolation. Then there’s all that packaging work. The endless isles of supermarket shelves. A screen-grab from a 750x750 image would probably be fine for much of that.
That’s just from a screen-grab. Photographers usually want to show their work in the best light and today, that means large images. I have a colleague in the US who found her rather excellent landscape work being sold as posters in Russia. She had to considerably lower the size of the images she was using for her website to prevent it. It would be nice if; 1/ attitudes changed. 2/ content creators (photographers in particular) got a little help from Apple and MS.
Grant
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